Skip to Content

Floorr

Home

Featured

Issue.

34.

Frame 61 3/10/25 Frame 61 3/10/25

Maija Fox

Read more →

Ragnar Kjartansson

"I was lucky to be raised in the darkness of the theatre."

Read more →

Simon Starling

“A-A’, B-B’, which will take place both in Glasgow and Turin, feels very much like a project for the age of Brexit – a divided painting, a divided car, two venues bridging an imminent divide.”

Read more →

Yinka Shonibare

"They are hybrid figures. They are part Victorian, part African, part Dutch. They are an expression of the identity of a contemporary post-colonial birth."

Read more →

Conrad Shawcross

“The more the Artist loses control of its meaning the better the art is.”

Read more →

Flora Yukhnovich

“Although my work draws on Art History, the issues I’m interested in are generally rooted in the present.”

Read more →

Richard Patterson

“The YBA thing wasn’t exactly a movement, but it was the last and closest thing we’ve had to a movement in recent times where a whole crop of artists emerged together apparently responding to a mood and sequence of events.”

Read more →

Holly Herndon & Mat Dryhurst

"AI is just us, in aggregate—it is beautiful and requires rethinking how we arrange life."

Read more →

Jim Lambie

“The rhythm of the colours seemed to pulse and move, creating a visual beat through the space.”

Read more →

Jules de Balincourt

"I am not sure how the Trump phenomenon will manifest in my work but I do know it is impossible for anyone to negate it and its ability to submerge into our subconscious.."

Read more →

Jon Burgerman

“I certainly need a hug right now but a hug never lasts as long as I need it to. Take me back to the womb, shield me from all the chaos and nightmares!”

Read more →

Bedwyr Williams

“Places like Frieze, it’s like an acid trip: the plastic surgery, the gross clothes, the money. I’m not making a judgement, I’m just saying “bloody hell can we all see this!”

Read more →

Eva Rothschild

“it is the first time that everything that surrounds the making of art has stopped which is both daunting, when this is your livelihood, but also a real focus puller on the primal human need to make art.”